pc: Inspired Media
BIO (339 words):
Graeme Shields is a Canadian-born composer and organist whose influences range from the Lutheran music tradition to the experimental confidence of the avant-garde. His compositions, often exercises in dry humour and eccentricity, aim to articulate the mysteries of the past, the spirit, and the unknown. His music often features repetition, audible process, stark juxtaposition, theatrical elements, and a bricolage approach to harmonic language. Through these features and influences, he has generated a body of work that breathes new life into ancient elements like old-world folk tunes and extinct pagan rituals.
Graeme has had works performed across the United States, Canada, and Russia at events such as Florida State University’s New Music Festival, Greenlight New Music Festival, and the Silver Sounds International Chamber Music Competition. His work has been recognized by the Kennedy Center’s American College Theater Festival and the Duluth-Superior Symphony Orchestra. He has also secured artist residencies at Warbler’s Roost in South River, ON (2017) and Azule in Hot Springs, NC (2016).
As an organist, Graeme is a founding member of Vital Organ Project (VOP); a composer-organist duo that facilitates the creation and performance of new music featuring the abilities and distinction of the pipe organ. Through concerts of modern repertoire and ongoing premieres of new works, VOP showcases the true versatility of the organ and its relevance to the 21st century. Since its inception in 2017, VOP has been the catalyst for over 20 world premieres and 25 concert events across the US and Canada.
Shields has held numerous organist and accompanist positions across the American Midwest, including Organ Scholar at Calvary Episcopal in Cincinnati where he had the privilege to work with Howard Helvey, and the sole accompanist for Turkish American Musical Theatre Alliance, for which he traveled to Istanbul in 2013. These positions have fostered his love for collaborative work and led to his organization of multiple recitals, concert series, and commissions of new music.
Graeme is pursuing a DMA at the University of Cincinnati’s College-Conservatory of Music (CCM), holds an MM from Western Michigan University and a BMus from the University of Minnesota-Duluth. Primary teachers have included Michael Fiday, Christopher Biggs, Lisa Coons, and Justin Rubin.
INTERVIEWS AND ARTCLES:
19 January 2021
13 February 2020
26 July 2019
27 September 2018
25 July 2018
13 October 2017